Tuesday, August 25, 2009

Part 3: Making of the Book

Last May I reached out to my childhood friend and one time photo partner Neil Zlozower, he was Van Halen's photographer and published a successful book on the band. Neil told me to contact Steve, his editor at Chronicle Books. Steve and I talked, he expressed interest in my story and I promised him he'd receive a proposal in a month or two.

On Wednesday, June 24, I finished printing three sets of proposals in the digital lab at the university where I teach. Each proposal had 40 pictures and a four page introduction sample of my written narrative. I planned to send them to Taschen Books, Chronicle Books and hadn't quite figured out who the third would be for. I slept well that night because I'd met my goal and the book proposal was ready to send out.

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Bio

My photo
Los Angeles, CA, United States
Todd Gray photographed Michael Jackson over a period of 10 years, often as Jackson's chosen photographer. He has shot numerous album covers and directed music videos, and his photo-based artwork is in the permanent collections of museums in the U.S. and abroad. He is currently a professor of art and photography at Cal State University, Long Beach, and lives in Los Angeles.
Photographer Todd Gray worked with Michael Jackson for several years before Jackson requested that he become his personal photographer, a relationship that would encompass the singer's performances with the Jacksons through the release of his smash solo albums Off the Wall and Thriller. 

This collection of unseen, intimate, and joyful pictures of Michael taken over a span of 10 years reveal him at home, with his family and fans, in career-making live performances, and the on the "Beat It" video shoot. 

A young black man not much older than Jackson at the time they met, Gray brings unique insights to his time with the singer, contributing stories and context to the images, presenting a rare, intimate portrait of Jackson at a creative peak as he grew from a brilliantly talented young man into a pop icon.